Everything

Bilingualism II

我本來還想把這一篇用英文跟中文各打一次來實際比較看看,但這已經被困在草稿匣夠久了。一直做重複、吹毛求疵、沒有效率的修改本來就是我寫心情文時的弊病,如果再要求修改時要保持兩種語言版本的同步的話,大概寫到天荒地老都寫不完。(如果讀者沒有讀過我最近亂發的文章,故事都是這樣的:我覺得我在草稿匣累積了太多寫一半的文章,所以在畢業後,我在六月十一號決定從那天開始每天發文,直到我出國,目的是強迫自己把那些草稿寫完,中間還亂發很多其他我本來大概不會寫下來的東西。其實還滿有成就感的。另外,如果你的中文沒有很爛的話,如果你在任何地方認為我寫的中文不流暢或是可以寫得更好,請毫不留情的留言批評。這也是一件我發現我在寫中文方面很缺乏的經驗,我會很感謝。當然,根據以往經驗,懇求讀者留言沒什麼機會成功。)

If you came to this blog or this post hoping to read English, sorry not sorry. It’s only fair, really, given how many people on Facebook can’t read the massive English textwall posts I’ve spammed them with for so long.

常常有人訝異我的英文這麼好。有時候這些人還會問我怎麼學的--碰到這種問題我都不知道要怎麼回答。喔,很簡單啊,只要選擇在一個主要說英文的國家出生,然後跟一群從國外回來的同學一起讀有80%的課是用英文上的學校連續讀十二年就好了。

偶爾也有人知道我是雙語部的或在不同的情況下認識我,反而會覺得我的中文比他們預期的好,例如我的駕訓班教練。其實我在雙語部還是上了十二年的國文課,進度理論上跟其他學校一樣(「理論上」三個字要強調),我也跟身旁很多親戚朋友用中文溝通了更久。比奧林匹亞競賽的經驗應該也讓我認識的上普通國語教學學校的學生,比其他雙語部同學認識的多。所以這應該也不奇怪吧。

但是。其實我對這兩個語言的精熟度其實還是差很多。日常對話沒問題,不過我對英文細枝末節的部分瞭解的比中文多太多太多了。家裡有不止一本「常見英語錯誤」類的書,我小時候會當小說讀--我是一個很奇怪的人。在學校課程中,我編輯自己或他人的英文文章是一天到晚的事情,什麼奇怪的句子跟構造都碰過、想過、修理過。還有些時候,我會很自然的寫出一個英文單字,然後發現我不知道為什麼自己會知道這個單字的意思,但就是有一種感覺告訴我,對,subsist的意思就是「存活於只有最基本的需求被滿足的情況」。跟中文比較:有時候,直覺也會告訴我有某一個成語是可以用的,但我只能清楚想到這個成語的兩、三個字。聽起來很「對」,不過我就是想不到第四個字是什麼,或是怕前三個字換成錯別字,再加上懷疑整個成語意思根本不是我模糊腦袋裡現在浮現的,因為我認得這些字字面上的意思,但無法說服自己為什麼它們合在一起可以解釋成這種意思,最後只好放棄,用國小白話文的措詞就好了。

「總覺得,我在用任何偏離國小程度的白話文的詞彙的時候都是假裝的。」

我在舊一點的草稿寫出了這個句子,不過那一串「的」字讓我覺得怪怪的,現在想想,沒有人跟我討論過寫出這種或其他奇怪的句子時應該怎麼辦。哪一些「的」可以省略?有辦法把句子重寫(recast)避開嗎?還是不管它,我覺得它聽起來很奇怪純粹是錯覺,多讀一點中文就會發現根本沒什麼大不了的?

使用兩種語言的方法也差很多。看看這個部落格就知道了。我相信我在學校雙語部外的大部分台灣朋友不會試著去理解我關於自己長篇大論的英文作文,但長篇大論的文章還是我最認真表達自己的地方。反觀我的中文短文,都通常是那種搞笑、釣讚、裝弱的文。(不,我真的很弱。)我不時會發現自己在網上逛到一個陌生人的心情文,看得津津有味。我們之間的關係頂多是朋友的朋友的朋友,我只知道我跟他應該都喜歡數學這個共同點罷了,但因為語言,我在那些瞬間覺得自己瞭解他勝於瞭解幾乎所有在我身邊講中文的朋友。我自己怎麼看這件事都覺得不合理,有點慚愧。

我回去讀了我第一次寫的關於雙語的文章,可能有一點過火:後來證實,在我的朋友中似乎真的有會純粹為了抒發感情而寫七言律詩的人。而且,我講中文的朋友圈裡,文學類佔的比例本來就應該比他們在整個社會裡佔的比例少很多。在學校跟在生活裡,吸收英文多於中文(而且數學多於英文)是我做的選擇,只是我自己不知道選擇的中介點好不好罷了。是否,我花在跟講中文的親戚朋友互動的力氣不夠?

A List

(streak) ≥1 of you should know what is being referred to. Oh yeah, I love being first. Of course the approximate price is that I have to expose the world to the innocent naïveté of my fourth-grade self. So far nobody mean has ventured there yet, but who knows. Darn, two years. Darn, Cards Against Humanity. I need more of that in my life. I don’t know what else is happening but music is good.

(8,9,7)

(streak)

I always tell myself, okay, I will actually just draw something facetiously and get it over with, nobody comes to this blog to admire my GIMP mouse doodles, but then perfectionist tendencies kick in and I get carried away and it ends up taking more than an hour or so.

linear

More Fiction (Part 2)

Part 1 was here. This is still part of the daily posting streak I have openly committed to and standard disclaimers still apply. Just as in my original post, back to the flip side — let’s see what I have to do to write fiction to my own satisfaction. And this time I have a guide: the list I made in the first part of this post. Could I create fiction I would enjoy reading?

1: I enjoy calling things before they happen…

2: …I also enjoy the Reveal for questions when the author has done something clever I didn’t catch…

Well, obviously, I can’t predict things in my own plot. But I can develop riddles in the plot, set up expectations and drop subtle clues and use Chekhov’s Tropes. Can I?

Cognitive Asymptotics

Short blog content for daily posting streak. Standard disclaimers apply. Not much to see here. At some point in the past, because I was a bored teenager, I memorized this. So now, in theory, I can tell you the capital of each state of the U.S. This is already a lame trick, but as I realized yesterday, it’s made even lamer by the fact that the data structure I chose only supports O(n) lookup.

More Fiction (Part 1)

I’m going to do it again! I’m going to break a post into parts to milk it for the daily posting streak. Desperate times call for desperate measures.

This is mostly a self-analysis post though.

WARNING: This post contains many, many TVTropes links. If you are like me and need to be productive but are liable to being sucked into TVTropes, maybe you should find a way to commit to not clicking on any of these links, or just stop reading. The obligatory xkcd is kind of long and also featured on one of the TVTropes links I’ve already made, so I’m not going to embed it.

I blogged about this before in 2013 — how I felt that the analysis trained into me by English class was dulling my ability to appreciate and write the types of fiction I really enjoyed. After thinking about it I realized the mismatch goes deeper than that. Because the things I seek the most in fiction are escapism and entertainment. I like simple fiction with obvious (though maybe not that obvious) Aesops and extreme economy of characters via making all the reveals being of the form “X and Y are the same person” (which does not quite seem to be a trope but may be an occurrence of Connected All Along, with the most famous subtrope being Luke, I Am Your Father (which is a misquote!), and is also one common Stock Epileptic Tree, so maybe this isn’t the best example), because not only are such reveals fun, they make the plot simpler. What can I say, it works.

The qualities of being thought-provoking or heartwarming are only bonuses for me; needless complexity in the number of characters or plots is a strict negative. Sorry, I don’t want to spend effort trying to remember which person is which and how a hundred different storylines relate to each other if they don’t build to a convincing, cohesive, and awesome Reveal, and often not even then. And I like closure, so I feel pretty miserable when writers resolve a long-awaited plot point just to add a bunch more. Because of this I am ambivalent about long book series; most of my favorite works of fiction have come in long series but starting a new one always gives me Commitment Anxiety. Even when there’s closure, when I finish an immersive movie or book I’m always left kind of disoriented, like I’ve just been lifted out of a deep pool and have to readjust to breathing and seeing the world from the perspective of a normal person on land. I like when I’m reading good fiction, but I don’t like going through withdrawal symptoms. If I want to read complicated open-ended events, I’ll go read a history textbook, because at least the trivia might come up useful some day; if I want tough problems I’ll just look at real life and think about the possibility of college debt and having to find a job and everything. (If it wasn’t obvious yet, this is why I hyperbolically hate on Game of Thrones often.) Even worse than all of this is multiple paragraphs full of scenery and nothing else, unless of course parts or maybe all of the scenery are Chekhov’s Guns.

Some part of me is embarrassed to admit this because I’ve been educated for so long about deep literature that makes social commentary or reveals an inner evil of humanity or whatever. But then again, I don’t really need an education to appreciate the simple, fun fiction I apparently do.

So: there are a lot of famous classics or mainstream works I can’t really enjoy too much, or in some cases, at all. And yet, sometimes a random story or webcomic will appear and I just won’t be able to stop reading. Why? I decided to try making a list of things I like in fiction:

DOUBLE POST

20 posts so far in my daily streak, ignoring the time I posted after midnight but including exactly one of this post and the commitment-starting post. You pick which one. The arithmetic works out either way. My last four posts have been made with less than two minutes to spare before midnight, and my last post in particular made it by just seven seconds. This is working as intended in that I’ve knocked out nine drafts that I’m pretty sure would have rotted in my draft folder for at least a few more months otherwise, and I’ve also jotted down more spontaneous thoughts and posted them instead of postponing them until they was too late to be applicable. But this is also a problem because I can’t spend every day procrastinating blogging and then frantically blogging before midnight — I have some serious programming work to do, and a talk to prepare for, and, of course, linear algebra homework!!!

I’m kind of stuck here so

Quixotic Reimagining of Standardized Tests (Part 2)

If you remember, Part 1 was here and my goal is to construct a theoretical system of standardized tests that I would be satisfied by. Here’s what I’ve got. As usual, because of the daily posting streak I have openly committed to, standard disclaimers apply.

  • We’d have a first-tier test like the SAT, except this will be explicitly designed not to distinguish among the high performers.

    The goal of the test is to assess basic proficiency in reading, writing, and mathematics. Nothing else. Most good students, those who have a shot at “good colleges” and know it, will be able to ace this test with minimal effort and can spend their time studying for other things or engaging in other pursuits. Students who don’t will still have to study and it will probably be boring, but the hope is that, especially if you’re motivated to get into a good college, there won’t be much of that studying.

    For colleges, the intention of this test is to allow them to require this test score from everybody without having to put up disclaimers that go like,

    there is really not a difference in our process between someone who scores, say, a 740 on the SAT math, and someone who scores an 800 on the SAT math. So why, as the commentor asks, is there such a difference in the admit rate? Aha! Clearly we DO prefer higher SAT scores!

    Well no, we don’t. What we prefer are things which may coincide with higher SAT scores…